展览会

　　Joanna Hogg’s third film has been a buzz-magnet on the recent festival circuit, drawing comparisons to Haneke, Tarkovsky, Malick, Antonioni, and Akerman. A well-off, artistic West London couple identified only as D (she) and H (he) find their already tenuous relationship threatened by the impending sale of their home. Through coolly meticulous compositions and sound design, Hogg dissolves the boundaries between exterior and interior, and between architecture and inhabitant. The house itself (a glass-and-partitions modernist showpiece) truly becomes a character in the film, functioning as the couple’s child, mirror, sanctuary, prison, lover (most explicitly in D’s furtive acts of exhibitionism and masturbation), and much more.

好了，不会把时间浪费在这位导演身上了（虽然纪念品2出来之后我还是会打脸看的……）

比较喜欢电影中声音的运用，外界以及内部不同的声音如打破夫妻之间持续的宁静，房屋外的汽车声、喧哗声，电话的铃声，还有上下楼梯的脚步声、电动牙刷的震动声、防盗系统声。

对我来说Hogg这部的概念实践失败了…这个房子本身的设计就…不太行，然后和一个摇摇欲坠的婚姻的链接太虚弱了（也可能我没有经验）；真要exhibition的话，还是要范斯沃斯住宅or Glass House啊，心理张力能出来。这部里的这个房子我满脑子都是，如果我住的话氛围会完全不同。但是女主出了自己的房子在伦敦街头游荡的段落特别好。

It really was so fascinating and delicate but the slowness is not for everyone

人物床头书：Rachel Cusk，拉康。

隐藏摄像机式文艺片。独处空间、相处空间、共享空间的三方对比。创作之上的创作。环境音运用得很有效。

故弄玄虚，镜头和光影也没有什么味道，长镜头也是一摊碎。为了防止这种烂东西再次出现，必须果断给低分。

女主是...The Slits的吉他手...这才叫逆生长...大娘已经60了还跟30似的...

住在whitecube里的两个人一丁点都不像夫妻简直就像在gallery里工作所以大概这个片子才叫exhibition吧。话说这家人其实品味真的挺差的，而且Liam Gillick怎么都开始演电影了。。。还是就看半分钟抖森吧。

ʕ•̫͡•ʕ*̫͡*ʕ•͓͡•ʔ-̫͡-ʕ•̫͡•ʔ*̫͡*ʔ-̫͡-ʔ，特意来看一眼抖森的，笑起来还是那个软甜善良的小样儿，咩酱最让人放心了。

视觉语言的运用和形式感玩得愈发纯熟。JH的三部曲里，只对群岛产生了共鸣，大概还是年龄阅历和境遇的关系，这种小电影就看能不能撞准观众的同理心，这另两部，咳，等我更年期的时候再重新看看…

slow, but poignant - the childless life of middle-aged artists in the house where they given so much attention and efforts...