马拉松家庭

　　The story is set between the two World wars. The Topalovic family consists of five generations of males, with the youngest one aged 25 and the oldest aged 120. Conflicts break out in the family because the youngest member refuses to carry on the morticians' trade, which for decades, from generation to generation has been his family's occupation. The manufacturing of coffins is more and more lucrative, new technologies are introduced, burials are faster and easier, the era of crematoriums is here. But the youngest member of the family, Mirko, is not interested. He believes in a "better, nicer and more honest occupation". In this belief he is supported and encouraged by his girlfriend Kristina and his best friend Djenka, owner of a small cinema. Kristina's father Billy Python supplier of coffins to the Topalovic company, demands a larger share in the earnings, i.e. a fair division of work and profit. Thus these two families come into conflict. In the showdown all means are permitted. This is American gangsterism in Balkan style. Greatly disappointed because both his friend and his girlfriend betrayed him, Mirko commits murder. As a murderer, he returns to his family where he is received with open arms as the new leader of the family, aware of his strength and power, a representative of the new generation whose basic moral principle is ruthlessness.

南斯拉夫荒诞喜剧，没有女人的六代男人们，最后转型暴走片真是让人猝不及防，恶搞了一段影史最初裸戏hhhh

字幕又是调帧率又是调时间轴，所幸内容没问题，省去很多麻烦。看完是觉得笑点十足，六代同堂本就荒诞，两个家族围绕财产展开争夺也挺逗乐，最搞笑就是抛尸丢井那一段

要是考虑到拍摄年代也许能到四吧。因为ld买了一东欧电影网站会员，为了不浪费钱，本月观影就是乱点东欧电影。这部算是喜剧，也说不清楚。六世同堂，做棺材生意，原材料是盗墓的人挖的。中间有有声电影的出现，以及新电影拍摄对旧道德观念的冲击，还有新焚烧装置对旧生意的影响。杀死未婚妻子，车祸撞死人，坟场装鬼，以及最后与警察火拼。情节挺魔幻的，女演员的怪叫声令人印象深刻。

希扬是天才，但恐怕没什么人能理解这重重的政治隐喻。六世同堂，陷入癫狂，两个家族火并到最后疯狂的一刻，西方进来了，有声电影，科技，资本，蚕食着巴尔干的净土。第一代人吃光用光完全看穿，一代不如一代，和西方火并到底，六个联邦实体，全部分崩离析。非得那么疯狂，非得用大笑才能承受眼泪。

南斯拉夫六世同堂，荒诞无趣，南斯拉夫人民的自嘲艺术，厉害！ 那是个电影黄金时代。

“六世同堂分遗产”被视为对南斯拉夫后来解体为6个国家的预言。曾经的社会主义兄弟国家很喜欢搞这种无下限无节操地自嘲，总有一天他们会攻下IMDB的。

Hedy Lamarr in Ecstasy-1933

小时候在央视六套看过片段后就总是萦怀于心，可是一直不知道这部电影的名字，只记住了六世同堂的元素，偶然的机会，终于得获片名及片源并完整地看完了，果然七八十年代南斯拉夫盛行走荒诞派黑色喜剧的路线。

五代人一扎堆了，争着祖爷爷的遗产，平时谁也不服谁，关键时刻一致对外

比谁在那儿歌唱稍逊，喜味风够，无格外政治隐喻。

黑心六世同堂，坟场装鬼一段笑疯了；第一代看穿世事、不留遗产、死后复活，第二代好色贪吃，第三四代见钱眼开，懦弱末代感情失败转型强悍男；欢腾热闹，生死不忌，这才是最强大的生命逻辑。

六世同堂五个爸爸的出场再次拉开了一出二战炮火纷飞中南斯拉夫荒诞影片的序幕。除去开头一小段资料片，并无明显的政治隐喻，两大家族激烈对抗中仍能感受到削微的民族豪情。每一个细节伏笔呼应的都非常到位。为牛逼的最后一个烧化胶片的画面打五星。向同时期大小导演以及zoran simjanovic致敬~