狂奔

Ada was settled in her life, she was pleased with it, or thought she was. She was one half of a couple who seemed happy, she’d had a child, was even due to get married, and wham… she met Paul… And this Paul was writer to boot, who lived alone with his grown daughter, had an exceedingly intrusive mother, and had the unfortunate idea of losing his father when this story had hardly got off the ground… Life started to gather speed. It was about time.

2.5 為什麼可以拍的這麼無聊，人物都像道具一樣，僵硬到不行。

说教欲太强，轻巧但并不可爱，邓泽里比这个导演强多了，甚至不如各方面都有很多相似处的布吕尼。

总体是静谧安逸，太舒服暖意的结尾。爱情的选择、人生无关年龄的成长，保罗用自传体来描述着与艾达的相遇和爱情，家庭、父亲死亡等意外情况，保罗一直失联打不通的手机，艾达致敬德莱叶《葛楚》片段。摄影优美，静谧安详，波澜不惊的内心世界。死亡也是大的幽默轻松：一家围绕着父亲开着羊绒袜的玩笑。

“他的脑子里不停出现一匹狂奔的黑马，马背上是一个孩子。你听见马蹄声了吗？敲在石板上，那是心跳的声音，是我的，也是你的。别忘了经常听一听，这是我们还未曾结束的童年。”

两个人分别给过同一部片的意见，年纪小的时候我喜欢前者，年纪长一点我喜欢后者，也越发变得像后者就是我喜欢这部片的原因。

我喜欢关于袜子那段，原来，幽默也是会遗传的！

为什么每个人都那么漂亮，让人喜欢。这一家人已经活明白了，无论生、死、性、爱。虽然都还有一些小小的石头踩在脚下，但都是小磕绊。