死亡欧洲

　　Australias Tony Krawitz (Jewboy, The Tall Man) directs the adaptation of The Slap author Christos Tsiolkas award-winning novel in this searing film about history, guilt and secrets.


　　Ewen Leslie delivers a great performance as photographer Isaac, whose fathers death in suburban Sydney reveals the schism in his family and prompts a return to the ancestral homeland.


　　On a trip to his parents village in Greece, he learns something of his fathers cursed history.


　　At first he dismisses the revelation as superstitious nonsense, but over the course of his travels - from Greece to Paris to Budapest - Isaac is forced to confront the anti-Semitism of the past, the embedded bigotry in the bones of Europe and the nature of inherited guilt.


　　It is on this fateful trip that Isaac will learn the truth of his familys migration to Australia, their refusal to ever return to Greece, and the burden he continues to bear as a consequence of acts committed years before his birth.


　　Krawitz sensitively depicts this clash of mythology and a very contemporary reality in this daring and enigmatic film populated by spirits and outcasts.

没看懂。阴郁，混乱，滥交，糜烂，绝望，所以欧洲就此玩完了？德吕克贾曼不早就拍过英格兰的末日了吗。

尺度太小，未漏，就算有，都可以因为快速而忽略不计

去颓败的欧洲寻找家族的历史和心灵的救赎，未果。反映了难民泛滥，宗教种族仇恨，色情行业等社会问题。希腊有够混乱啊…

那个鬼魅的孩子，我以为只是昔日阴影的一种隐喻，所以没懂最后他怎么可以拿着男主的钱包；电影布达佩斯的片段展示了欧洲地下色情业的一角，看着也令人毛骨悚然，其他的表达混乱，好像导演也吸毒了处于一片混乱之中一样！

由内疚引发的精神崩溃（or恶灵诅咒？）本来应该是个很好的题材，可惜被拍得逻辑失控，狗屁不通，给美少年加颗星

腔调相当优秀，但是过于黄暴小清新了以至于活生生浪费了一个好脑洞。透明最后三分之一的地方才出现耶，布达佩斯庭院深深里的一个昏迷的美貌汉子，真是不能更对我胃口了……本来以为是男主角基友最后居然是亲哥，不给力。剧情太坑爹，Marton演技爆发了超级棒的嘤嘤。

这个种族问题吧。。反正不管搁哪都得严肃起来。。

隱隱藏著對故鄉的思念，可惜大家終是客死他鄉，無論是有選擇或是沒選擇的。

一个很有料的重口味故事就这么被浪费了，即使Marton Csokas的演技小宇宙爆发也依旧无济于事，这个故事把老爹的重口味二战往事也演出来，再加上这个主打悬疑的寻根之旅，估计才会是一部杰作，但看现在的故事，尽管噱头众多还是显得过于干瘪，大部分时间在仿若小清新附体的云淡风轻中浪费了。★★

一看到名字里面有欧洲，就可以想到这会是一个多么"人性"的故事，精分、同性、乱伦、诅咒、谋杀、二战阴影…萦绕在欧洲人心头的二战阴影，一直是西方人热衷的题材。之前的《龙纹身》就是这类题材的佼佼者。二战就像影片中若有若无的男孩一样，难以具体名状，又确确实实影响着欧洲。