John Ruskin是英国维多利亚时代的艺术家、诗人、建筑师、思想家,还扶持培养了一批年轻艺术家,不过成为社会新闻的却是他与Effie Gray的婚姻,两人结婚6年之后Effie要求中止婚姻,理由是两人“从未真正成为夫妻”,这桩官司成为一时谈资。John Ruskin承认两人从没上过床,但为自己辩护说妻子的“某种状况”破坏了他的激情。Effie Gray离婚后,嫁给了受John Ruskin重视提拔的画家John Everett Millais。据艾玛·汤普森说,这部新片将从两人的新婚之夜开始,通过John Ruskin的经历和性格来解开这个谜团。
2011.08.17.达科塔取代西尔莎成为《Effie》女主角.
Dakota Fanning replacing Saoirse Ronan in Emma Thompsons Effie
August 16
Source: Deadline
Just last November, one Casting Tidbits update revealed The Lovely Bones star Saoirse Ronan landed the title role in Effie, a biopic about Effie Gray, the wife of English art critic John Ruskin, who became entangled in a famous Victorian love triangle. Now Deadline reports Dakota Fanning will star in the period drama from writer/actres****a Thompson which chronicles the strange romance, or lack thereof, between Gray and Ruskin. Despite her beauty, Ruskin was said to be disgusted with Grays body, did not consummate the marriage and annulled it, allowing her to marry Ruskins protégé John Everett Millais.Though Orlando Bloom was once attached to play Millais, apparently Tom Sturridge (Pirate Radio) has stepped into the role. In addition, Thompson will also star in the film as Lady Eastlake, who takes Effie under her wing when it becomes clear the union was destroying the young woman. Her husbandGreg Wise (Johnny English) will play Ruskin while Julie Walters (Harry Potter franchise) and Derek Jacobi (The Kings Speech) will play his parents. Finally, Edward Fox (Gandhi) is in talks to play Eastlakes husband Sir Charles a man who was not only fed up with Ruskin and his radical ideas, but also the main patron of the Royal Academy which held sway over what constituted fine art.
Richard Laxton (An Englishman in New York) is directing the film which begins shooting in Scotland on October 17th with shooting to follow in London and Venice as well. The cast has been shuffled on this project for awhile with Carey Mulligan once attached to the title role as well, but a copyright infringement claim held up the film, which resulted in scheduling conflicts for the previously attached cast members. Producer Don Rosenfeld says, "It’****a Thompson’s first original script after doing several fine adaptations, and it gets to the heart of Victorian England." Though this sounds a bit more along the lines of her work on Sense and Sensibility as opposed to Nanny McPhee, her work on the page should make for a great British drama down the road.
维多利亚时代的爱情故事~ 传记电影就应该酱拍,戏剧的只能唬唬喜欢看热闹的观众,平淡才显真实。范宁的白皙肤色和肉肉的脸超适合拍英国小妇人~
懵懂纯真少女在贵族华美光环的吸引下误入艺术家的婚姻殿堂,画家丈夫异于常人的心理和偏执的性格压抑下终究使艾菲冲破无性婚姻的枷锁,勇敢用司法程序离婚,勇敢追求心中所爱。女性本应果决,婚姻不必妥协。
范宁太不适合古典装扮,而且艾菲格蕾这个角色应该找个英国女孩饰演更合适。此外,汤普森的剧本也很平庸,没有深度挖掘人物性格和内心世界~
浓厚的英国古典风格,摄影、用光及构图极美,故事乏善可陈,叙事沉闷,人物性格塑造不丰满,太平面、太标签化,缺乏内心刻画,情感表达欠不饱满,缺乏感染力
ʕ•̫͡•ʕ*̫͡*ʕ•͓͡•ʔ-̫͡-ʕ•̫͡•ʔ*̫͡*ʔ-̫͡-ʔ,朦胧细腻,还可以,如果放在英国电影当中并不属于出类拔萃。
他妈说“你不是嫁给一个普通男人,最好对他的帮助就是让他独处。”那拉斯金为啥要结婚,有地位的男人不结婚也会被人一顿催婚,好像不结婚这些“伟大的男人”就不完整了。我想可能是拉斯金要是不结婚可能会跟他学生王尔德一样,他也怕啊,维多利亚时代粉社会道德绑架真是让人匪夷所思,之后的时代这疙瘩居然是LGBT的先锋阵营!这宁愿自lu也不跟你睡的,果断放弃疗别犹豫!拉斯金就适合跟莫里斯一起惺惺惜惺惺,他两不孤独!这影片就是告诫各位姑娘不要结婚过早,不要对婚姻生活“过日子”有不切实际的幻想,不要跟妈宝结婚,人家有妈要你涂啥?多去学习、旅游扩充眼界,增强鉴别渣男的眼力,遇到能终身的人赶紧别犹豫抓住。后来姑娘终于清醒了,跟其他人结婚,生了8个孩子!
喜欢Millais 那幅“奥菲莉亚”,所以找了他的很多作品来看。有一幅旷野中的Mr Ruskin 很有名,只知道他是Millais的老师,却不懂这幅画为何引人关注。很久以后才知道,当年M与老师的妻子有了恋情,后来他们修成正果生了八个孩子。多年后曾年少轻狂的Millais 最终成为学院派并担任了伦敦美术馆长。画像背后的绯闻才是大家津津乐道的缘由吧。至于电影,女主角无论外貌还是演技都太弱。故事也颇离谱,专制的婆婆,冷漠并性无能的丈夫,Ruskin夫人Effie被迫逃离,然而真相呢?婚姻破裂总有许多原因,女主角嫁人前并非一无所知,为了解决财产问题选择这桩婚姻,自己忍无可忍重找出路而已;给她塑造的无辜形象未免太单薄; 此外Ruskin作为学者的另一面也展现不足。E Thompson 作为编剧欠火候。
什么魔幻选角?我全程看下来以为是恋童PUA,查了一下才发现历史上的ruskin和effie只差9岁。而effie和millais间用同款呆板眼神碰撞出的火花,还不如她跟那个意大利艳遇强烈……
拖沓,表面看是因为阳痿和妈宝,其实是知识分子或是艺术家所谓的智识上的优越傲慢和冷漠,对身边人的压迫而不自知。这样的人永远不需要情感。
选角很合适,但拍的不好,为啥拍的很丧的样子,结局明明算是振奋人心嘛!?女主的表情也比较呆滞,不知道角色就是这样子还是怎么回事。说真的看得我对Ruskin后退一步,伟大的Ruskin,居然是这样的,太惨了。
第一次体会到看一半睡着是什么体验…前半段简直冗长无趣到可怕,展现夫妻之间的无性生活不是这么个体现法的…看到“脱发造成的焦虑”我是真哭笑不得。在最后十分钟导演终于想起来自己要干啥了,德爷一出场感觉整个氛围都正常了起来,隔窗相见也总算有了一个情感的共鸣点。本片质量2星,不推荐,多的1星给风景,1星给德爷…
这样狗血的事情发生在三个如此decent的人身上,但这个事件根本不需要更多的事实,看三个人的形象,看拉斯金和米莱的作品,就完全能get到事件背后种种微妙的情绪。Emma的剧本写得真是好,不编故事,不猜八卦,就用仅存的一点点真实记录,铺足气氛和情绪,感觉就全对了。唯一的缺点是范宁刚出场时就已经过于压抑,再活泼一点会更好吧?
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