狗吃狗

哥伦比亚版的“低俗小说”，对卡利地下黑社会世界最震撼人心的描绘。今年圣丹斯电影节国际单元最佳故事片提名。


　　From director Carlos Moreno comes a tale of two hoods in Columbia who decide to break an unwritten code by taking their bosses money. They sign their own death warrant in doing so. Perro Come Perro is part of the World Cinema Dramatic Competition this year and looks like it will be a great crime drama. Trailer link and film homepage after the break.In the crime world of Colombia, there is an unwritten code. When Víctor and Eusebio, two hoods who bungle a shake-down job, break that code, they unwittingly sign their own death sentence.


　　The Latin American Pulp Fiction! This movie is great. It uses violence as a simple vehicle to tell a very smart story completely filled of amazing dark humor and full of cultural references. The "Sierra" character could not be funnier and the soundtrack is full of a very cool Latin vibe (I love the title song "Perro come Perro" by local band Superlitio). I hope they did a good job with the subtitles for the non-Spanish speaking market (I will have to wait for the DVD to check it out by myself) but I guarantee an amazing experience if you speak Spanish and count Pulp fiction and Reservoir dogs between your favorite movies. I do and I definitely had a blast.


　　Terrific portrait of Cali's underworld. This is an accurate while though portrait of crime underworld in Cali (second biggest Colombian city), plenty of a dark sense of humor and local culture elements such as witchery, drug traffic, poverty, and a very interesting atmosphere of salsa and African American music.


　　It is remarkable the photography direction, specially the coloring and texture of all movie, which emphasizes the feeling of permanent heat (Cali is a tropical place). Oh, and the FX work is very convincing. If you have a lot of gunshots, you will need a lot of fake blood, right? Well, in this film every gun fire sequence is very well played without making you get out of focus of main plot.


　　Main characters are played in a very convincing way with a very local taste, but in the end of the film you get the feeling of having witnessed events that could happen at the darkest corners of any city in the world.

第23届西班牙戈雅奖最佳西班牙语外国片(提名)卡洛斯·莫瑞诺

还行，引人入胜，故事再长一点就好了。不能在车里开枪打死一个人就叫**版低俗小说啊。

只是一部满暴力的南美电影，故事还不错，粗砺且炎热的感觉

格莫拉是闷得让人犯困，狗咬狗、人咬人是让人闷得出汗。

铺铺铺，垫垫垫，结局老狗才出现。圣丹斯电影节，暴力导演处女作展示平台。

节奏好慢，还有巫术什么的，有点沉闷。最后还好，多线条铺垫集中收尾，反复点题，虽然有点牵强。

比低俗小说差远了吧 但还是不错 尤其音乐 赞

不如《上帝之城》经典，但是同样非常好。我就说找了半天没找到狗咬狗，原来豆瓣翻译成了狗吃狗……

一般。情节较老套。加上西语不怎么好听，但配乐不错。

这个犯罪片的节奏就像弗拉明戈的吉他或者探戈。。那样的社会里，生命的价值变得如此不值一提（看看我们自己吧）《盲井》之类。。当他用电锯伸进“双胞胎”头颅的时候，那一刻这些表面冷血的家伙才在脸上闪现了一丝丝人性。。。

一只毒蝎，一张仇人的相片，一次民间的施法，就是一场魔幻而现实的拉美式复仇。一次贪欲，一则不可收拾的谎言，一段对家人的留恋，成了一幕让观众为全知上帝的追杀戏。人咬人，狗咬狗，塑料袋咬美金。

后面才high起来了，每一个镜头都被胤祥大大预测到

重口味黑帮片，男主似乎是导演的哥哥一类亲戚，而虽是哥国导演，但透着浓厚的美国独立制片范儿，或者圣丹斯范儿（有点像罗德里格斯）。剧作稍弱，神秘主义段落有点扯。手持摄影晃啊晃，跳切，音乐太满了，不过很多地方比较有想法。结尾20分钟极好。此片10分可得7分。