无人呼叫

50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。


　　In 1960 his second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.

当明亮双眸真真切切出现，黑白画面叫人赞叹。

战争会过去，但是他带来的恐惧和阴影也许永远不会过去。

故事不复杂但是一点不枯燥，反而觉得很生动，配乐。旁白内心的对话很添彩。

把爱不爱的摆到明面上讲也没那么困难画面看起来舒服，太喜欢电影末尾那一段逃离。

讲述的是战后波兰人在战后迁往该国西部地区--原本由德国人居住的土地，在那里开始新的生活的故事。孤独的男孩博泽科遇到了一个叫露西娜的女孩，他想逃离战时的过去。

看的英文字幕版，很喜欢这个故事，想读小说。

无人可唤，无人可应，我们长久的梦想不过是想做一个普通人，而这糟糕无比的一切均不会持续太久。结尾接近内心意识流的段落最佳，顶光直泄而下，宛如一束笼罩在头顶的梦幻之光，他无从选择，一切选择都是错的，战争让所有（人）都变了模样。

我害怕。不要害怕。我害怕。最終所有一切都是會變的。

波兰戏剧在电影中的再次彰显 强有力的画面控制能力和镜头语言 政治隐喻没看懂 也猜不透 即使考虑敏感时期因素 作为观众我也还是难以抓到重点... 那么这就是导演的问题了