万神

The word “Manshin”, which is an honorific term for a shaman, may sound unfamiliar to us. In the modern history of Korea, where compressed modernization has been the first and foremost focus, shamans have long been regarded as symbols of all things outdated and superstitious, and therefore they have been the objects of continuous oppression and expulsion. On the day of her invocatory rite of a would-be spiritualistic medium, KIM Geum-hwa stated “In order to follow the divine path, I shall overcome many life-threatening obstacles.” Indeed, she did go through some near death experiences. Serving as a intermediary between God and humans, she has earned the title of “National Shaman”, and she has readily volunteered to cure the inner hurt of individuals and the wider society, sometimes through tearful consolations and sometimes using divine orders.


　　Perhaps it is only natural that director PARK Chan-kyong, whose works have focused on “the age of Cold War and a divided country”, has met with KIM Geum-hwa. Writer and director PARK has remained on the periphery of the film industry which normally requires huge capital. He is concerned with the innovation of the cinematic discourse in order to deliver the current topic of the society via a sharp, artistic language. Now he encounters such a synthetic artist who has cured societal diseases on the frontier of the society. As we witness the meeting of the two minds, we find a moment at which the souls of the two artists interact with each other. This moment then offers such a refreshing artistic experience and the joy of healing.

究竟是什么样的思想底色能让佛道儒巫在各个历史时期和平共存，甚至在近代把基督教等等也吸纳进来，最后一幕的铁化缘已经给出了回答：金钵、十字架、枪支、照相机最终都被巫师融化重铸为巫具，就像所有信仰体系一经传入韩半岛就逃不开圆融二字一样。

每次看朴贊景都好驚喜！！！最後所有人聚集的場面，拍攝team的出現以及攝像機影子的投射！航拍從村子到山林的那個鏡頭，太讚了！全片的Sound也很喜歡！金奶奶在三八線做南北統一祈禱法會的時候被金日成上身了，我的天⋯⋯1001SAC與雨竹

结尾的设计模糊纪录片与电影的边界，航拍的韩屋村落配上像是他们韩国摇滚风的配乐，冲击每一个看的人。前部分有段他们的民谣也很喜欢，“人死了变鬼，鬼死了变风，大风凛冽，是战士的屈魂。”

作为一个无神主义者，我全程看着一群仙姑跳大神请上身，把传统文化祈求和平的东西多说些更好，追寻巫女的一生难免像是迷信科教片。

a mess, dramatic reenactment, the last scene real shaman meets actress that plays her, shaman uses the camera as a tool in the Gut, she embraces media attention.

導演現場講解也沒有阻止我睡得跟什麼一樣，果然不是故事主導型電影對我的吸引力就有限，雖然片中處處透露出導演特別會玩兒，但一個跳大神的一生不管你怎麼玩兒值得拍倆小時麼 ＝ ＝

关于一个女巫师的一生 最特别于3个演员再现三个于她重要的人生阶段 纪录片中的重现