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干走电影[英语 / 瑞典语]
豆瓣评分:暂无

干走电影

又名:暂无

主演:Piratbyrån

导演:The League of Noble Peers

地区:英国,德国,瑞典

类型:纪录片,短片

年代:2006

发布:2018-10-28

Part One, shot in Sweden and released in August 2006, combines accounts from prominent players in the Swedish piracy culture (The Pirate Bay, Piratbyrån, and the Pirate Party) with found material, propaganda-like slogans and Vox Pops.


  It includes interviews with The Pirate Bay members Fredrik Neij (tiamo), Gottfrid Svartholm (anakata) and Peter Sunde (brokep) that were later re-used by agreement in the documentary film Good Copy Bad Copy, as well as with Piratbyrån members Rasmus Fleischer (rsms), Johan (krignell) and Sara Andersson (fraux).


  The film is notable for its critical analysis of an alleged regulatory capture attempt performed by the Hollywood film lobby to leverage economic sanctions by the United States government on Sweden through the WTO. Evidence is presented of pressure applied through Swedish courts on Swedish police to conducting a search and seizure against The Pirate Bay to disrupt its BitTorrent tracker service, in contravention of Swedish law.


  The Guardian's James Flint called Part One "at heart a traditionally structured 'talking heads' documentary" with "amusing stylings" from film-makers who "practice what they preach." It also screened at the British Film Institute and numerous independent international events, and was a talking point in 2007's British Documentary Film Festival. In January 2008 it was featured on BBC Radio 4's Today, in a discussion piece which explored the implications of P2P for traditional media.[citation needed]


  Material found in Steal This Film includes the music of Can, tracks "Thief" and "She Brings the Rain"; clips from other documentary interviews with industry and governmental officials; several industry anti-piracy promotionals; logos from several major Hollywood studios, and sequences from The Day After Tomorrow, The Matrix, Zabriskie Point, and They Live. The use of these short clips is believed to constitute fair use.

“mobile image” Media archaeology w11

大量访谈混剪,开场先进入亢奋状态,中间显得拖沓;至少让人一瞥电影早期网络资源的运作状态以及十多年前人们对它的争论,然而“下载”到现在仍是很主流的观影方式

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