影响电影界的七十年代

The 1970s was an extraordinary time of rebellion, of questioning every accepted idea: political activism, hedonism, protests, the sexual revolution, the women's movement, the civil rights movement, the music revolution, rage and liberation. Every standard by which we set our social and cultural clocks was either turned inside out or thrown away completely and reinvented. For American cinema, the 1970s was an era during which a new generation of filmmakers created work for a new kind of audience--moviegoers who were hungry for stories that reflected their own experiences and who were turning their backs on aged old studio formulas. As a result, emerging filmmakers influenced by foreign directors such as Godard, Kurosawa and Fellini coupled with the social climate and a struggling studio system, converged to create a new kind of moviemaking. Through their choice of material, filmmakers such as Francis Ford Coppola, Martin Scorsese, Robert Altman, Peter Bogdanovich, William Friedkin, Roger Corman and Paul Schrader revolutionized mainstream movies and for the first time personal visions were coming out of the studio system.

等了两年也没等到英文字幕，最终还是妥协看的英语音轨法语字幕，这怎么好意思打分？谁特么知道我听懂了多少。

"It was the best of times,it was the worst of times,it was the age of wisdom,it was the age of foolishness,it was the epoch of belief,it was the epoch of incredulity,it was the season of Light,it was the season of Darkness,it was the spring of hope,it was the winter of despair"

152DVD版+花絮。从大制片厂破落，anti-c的艺术家用没想赚钱的小成本电影大卖（er)，老板给与完全自由，到这些穷小子有钱后头晕，给钱太多亏本（heavengate),与浪漫主义（不喜欢escapism这个词）电影（白鲨星战）复苏与制片人监管的回归。70年代的文化转变，破碎美国梦，越战水门，嬉皮士对应美国心理。

活力四射的70年代美国电影界！啃生肉略费劲不过看到那些名导名片大概就能get到说啥（罗伯特·奥特曼出镜真是满足）；对欧洲日本电影大师的学习、明星类型的演化、独立艺术片与商业大片的对垒、观众与创作者间的互相影响；学好电影史，撸片更带感！

T T maybe斯皮尔伯格和卢卡斯确实拯救了好莱坞吧，可艺术家的黄金年代就过去了，不过我们不会忘记！

一提起戈达尔特吕弗布努埃尔雷诺阿博格曼费里尼德西卡罗塞里尼黑泽明小津的时候。这些斯科塞斯奥特曼科波拉施拉德博格丹诺维奇们便两眼放光直射出仰望星空般的亮度。于是便自然地有了人类史上最辉煌的6、70年代电影。可惜时至80年代初。社会趋于稳定人们早已疲惫。娱乐至死。商业片卷土重来。

American Film's finest hour.