A piacere

"A war they would like to be realize through that it is not possible to play with this with a total death sight caused by. Than the primitive folk the reading their song, I try to ward it off in such a way with this film that I die, we die. I want the opportunity of an extended life to hypnotize into the spectator... I would like to ward the death off with it, that I have it understood. We have to put the fact that we die into universal contexts. We have to examine the contact of the personal existence and the history, the intertwining of little and big fates, the encounter of lives and tragedies in his endless projection." (Huszárik Zoltán)

影像連結的邏輯十分強悍。後面那個頭骨和海浪一波波上岸的疊印，看得我目瞪口呆…

出现René Magritte的画作!!!!

佐尔坦·哈斯哲里克镜头下的死亡，肃穆悲伤的葬礼，林立如山、有序或无序的墓碑(可能为艺术的雕塑），战争死亡影像回忆。漂流的十字架墓碑，滔滔海浪涌起的头颅骷髅。开头献花女子露红内裤、下葬轿车，镜头很准，配乐也很搞:O

前半段的雕塑和墓碑让人大开眼界，后半段元首和哥萨克交替出现，在战争的摧残下的人消瘦的让人难以忍受，不过我印象最深的是片头那个墓前献花的女的弯腰的那一下，她裙子下居然穿的丁字裤，我擦，要不要这么开放

战争如此喧嚣，而死亡如是静默。生与死并行不悖，悲同喜各自为安。