疯狗

　　Rabid Dogs represents the only directorial teaming of the great Mario Bava and his son Lamberto, and it also represents a huge diamond in both directors filmography. Mario Bava is probably most famous for his work on Gothic horror masterpieces such as Black Sabbath and Black Sunday, while Lamberto Bava made his name with trashy Giallos such as A Blade in the Dark, and schlock horror the likes of Devilfish. Rabid Dogs, however, is a crime come exploitation flick, and even though this sort of film isnt either mans forte; its still hands down one of the best movies of its kind. The film works principally because of the way the directors set up the situation and characters. The central plot is really rather thin, but anyone describing the film as deep wouldnt be wrong, and its down to the way the directors embellish it. The plot follows three criminals who, after botching a robbery, kidnap a woman, a man and his sick child hostage in the mans car, where they instruct him to drive them to safety. However, its not going to be a smooth ride as tensions heat up between the guilty and innocent inside the car.


　　The way that the characters are set up is masterful, and its thanks to this that the film works so well. After a while, we begin to be able to see the sorts of decisions that the characters are going to make, and the way that theyre all so different ensures the action is always interesting. The vast majority of this movie is set inside a car, and Bava makes best use of his claustrophobic location and uses it well in order to rack up the tension. While Mario Bava is responsible for some of Italys best horror films, it has to be said that a lot of them arent all that nasty - but here there is an exception. The director seems to delight in the shocking violence and ritual humiliation inflicted upon his lead characters, and several tense scenes are likely to shock and disturb the viewer. Even though the film doesnt have a lot of variation between its scenes, Bava manages to keep it interesting through the relentless pace and the intelligent dialogue between the lead characters. It all boils down to a superb ending, which while not entirely impossible to guess, does succeed in providing a nice shock. I had a rather difficult time tracking down this film - but it really was worth it, and I recommend every Bava fan do the same!

"Avant-dernier film de Bava, Cani arrabbiati a failli rester invisible, mis sous séquestre après la faillite de la maison de production. Bava fils mit plus de vingt ans à en récupérer les droits. Ce polar sadique et nihiliste reste cependant parmi les plus grands thrillers des années 70, avec un twist final des plus terribles."

节奏快，70年代的意大利高速收费站的景色竟然看到我们城市的一点缩影，角色性格分明，一个带病小孩的角色加入令整个氛围张力十足，最后五分钟来一个希区柯克式反转，没想到巴瓦还会拍这么紧凑的作品，可惜我看的修复版竟然经常出现好几贞没有被高清化的低像素画面。

最喜欢的巴瓦作品，基本都是车内特定情境，五个角色均具鲜明个性各怀鬼胎，劫匪与人质间的矛盾冲突不断推展情节，紧凑利落凝聚出强烈的戏剧张力。背道而驰的结局真乃神来一笔，绝了！看就看原版，不要看兰伯特.巴瓦的补拍加长版！

并没有犯罪题材电影所预想的激烈情节，过程为了描述罪犯的表演而做了很多铺垫，而背后埋藏的是比表面更冷酷的现实，影片并没有过度描述暴力与风格，却揭示了另一种人面下的可怖...

巴瓦的人物心理战术不怎么奏效，车内密闭空间戏的处理极其单调和无聊，总结下来便是匪徒和女人全程都在花式发疯，整部电影唯一的亮点是作为道具而非角色登场的生病儿童。★★

巴瓦这部竟不是铅黄也不是悬疑恐怖是典型的犯罪片还不错基本全是车内戏公路片绑匪与人质，不得不说这女的真的没脑子。结尾只猜到有可能…但真是高亮了没想到没想到！

漫长的逃亡旅程让观众近距离感受了人性恶的一面，尤其对女人与孩子施恶更让人对劫匪的憎恶无以复加，剧情略粗糙，好在结局有亮点，黑吃黑类型电影的经典反转。

四个劫匪，当场挂掉一个，其余三个劫持一女子，在劫持一驾车男子，虽然基本都在车上对话，了一点都不觉得沉闷，尤其最后驾车男子是劫持人质的劫匪，屌炸天

整体设定非常新颖，巴瓦的掌控能力相当强，能够在一辆小小的汽车里牢牢地把握着观众的注意力，整体感觉有些像《魔屋》，是一部非常值得学习的类型电影。

10_8 Rabid.Dogs.1974.iNTERNAL.DVDRiP.x264-tehPARADOX 英字 导评 3.7*

大特写、不断涌现新的NPC、极简的线索交代，把这些全部塞进一辆车里，紧张感贯穿全片

抢匪公路片，受害者才是终极大boss，如今屡见不鲜的大逆转40年前处理得让人叫绝。